What We Do

Embodying the ethos of our name, ‘Redivivus’—reborn—our studio stands at the intersection of art's past and future.

Studio Redivivus is a leading European private art conservation and restoration studio based in The Hague, Netherlands. We specialize in painting conservation, fine art restoration, and technical analysis, providing museum-quality care for private collectors, galleries, art dealers, insurers, and institutions across Europe and internationally.

With over 30 years of experience, we ensure the long-term stability of artworks from Old Masters to Modern and Contemporary Art. Our expertise includes preventive conservation, technical imaging, and material analysis, utilizing advanced technologies such as

X-radiography, infrared reflectography, and pigment analysis to assess and preserve artworks at the highest standard.

Redivivus cares for artworks at every stage from before acquisition, during loan or travel, after accidental damage, and with preventive measures for the future.

As a trusted conservation partner, we are authorized to receive artworks under Freeport location status, ensuring secure handling and treatment.

Technical Imaging & Analysis

Who we work with...

Collectors and Individuals

Name: Redivivus
Address: 16 Wolga, Den Haag, ZH, 2491 BJ, NL
Telephone: +31 (0)70 514 1023

Whatever the scale of your collection we can help you in a variety of ways including monitoring its environment, cyclical maintenance and cleaning, condition reports before or after sale or loan, insurance claims, restoration of artworks, and technical investigations to support authentication or connoisseurial opinion.

Museums & Institutions

We take great pride in our collaboration with leading national and international institutions. Whether you are a private or public museum we are always ready to adapt and work within available budgets whether treating artworks, advising on preventative conservation measures, or assisting with the installation of difficult artworks.

Art Dealers & Galleries

We frequently work with art dealers and gallerists to ensure artworks are brought to their optimal conditions. Our technical imaging and analysis can help you to present artworks in a new light that gives material evidence to support connoisseurial opinions.

Art Insurance

Redivivus is highly experienced in the practical aspects of conservation and navigating intricate paperwork such as insurance claims. Rest assured that we work closely with loss adjusters and several industry affiliates to ensure that our clients have a pleasant experience.

More About Us

As TEFAF Maastricht 2025 comes to an end, we’re filled with gratitude and inspiration.

We are especially grateful for the attention and appreciation given to one of the remarkable artworks we treated — Michael Sweerts’ The Virgin at Prayer with Self-Portrait.

This rare and deeply introspective painting drew great interest during the fair, and we’re proud to have contributed to its restoration and rediscovery.

Our in-depth article about this extraordinary work — exploring the painting’s technical and art historical aspects - was featured in the printed Salomon Lilian Catalogue.

For those who couldn’t get their hands on a copy, we’re delighted to now share the article digitally. You can read it in full below, including detailed visuals, restoration insights, and technical imaging.

Click in the link in the bio to read the full article.

#TEFAF2025 #MichaelSweerts #ArtConservation #RedivivusStudio #PaintingRestoration #OldMasters #ArtRestoration #TechnicalArtHistory
#CulturalHeritage #MuseumStudies

Michael Sweerts’ A Game of Backgammon - TEFAF Maastricht 2025

Studio Redivivus is proud to have conserved Michael Sweerts’ A Game of Backgammon (c. 1650-55), which is be presented at @tefaf Maastricht 2025.

The painting’s red ground layer, a hallmark of Sweerts’ Italian period, was intentionally exposed to enhance depth and luminosity. However, aged varnish, paint losses, and selective
abrasion had dulled its brilliance. Our conservation treatment carefully restored its balance, stabilizing fragile paint layers and refining its clarity with minimal, precise retouching.

Advanced technical analysis-including Infrared Reflectography, X-radiography, and Macro-XRF scanning provided new insights into Sweerts’ materials and technique, further enriching research on his work.

Studio Redivivus specializes in the conservation and restoration of fine art collections. If you are looking for expert treatment of your artwork or a professional consultation on collection care, visit our website at www.redivivus.l or reach out to us directly.

#TEFAF2025 #MichaelSweerts #OldMasters #ArtConservation #RedivivusStudio #PaintingRestoration #FineArtMarket #TEFAF

Karl Dujardin’s Le Retour - Presented at TEFAF Maastricht 2025

Redivivus Studio is proud to have treated another remarkable work that will be exhibited at @tefaf Maastricht 2025. Le Retour by Karl Dujardin, a masterful 17th-century landscape, will be presented by one of the fair’s esteemed dealers.

This exceptional painting had long been hidden beneath layers of aged varnish and extensive overpaint, which dulled its atmospheric depth and softened Dujardin’s signature brushwork.

Through meticulous conservation, we have restored its luminosity, revealing the rich tonal contrasts and delicate details that define the artist’s work. Areas of lifting paint were stabilized. the discolored varnish carefully reduced, and old, mismatched retouching was refined to seamlessly blend with the original composition.

Now in optimal condition, Le Retour stands as a striking testament to Dujardin’s ability to capture the interplay of light, landscape, and human presence.

For inquiries about conservation treatments and collection care, visit www.redivivus.nl

#TEFAF2025 #KarlDujardin #DutchGoldenAge #ArtConservation #RedivivusStudio #MasterpieceRestored #OldMasterPaintings #FineArtMarket #TEFAF

Lucio Fontana - Concetto spaziale, Attese (1967)

At @tefaf Maastricht, you can explore artworks spanning from antiquity to contemporary masterpieces a range that reflects our expertise at Studio Redivivus. While much of our TEFAF conservation work focuses on Old Masters, we also specialize in the treatment of modern and contemporary art.

The conservation of modern artworks, such as Lucio Fontana’s Concetto spaziale, Attese (1967), requires a specialized approach tailored to unique materials, techniques, and surfaces. Fontana’s iconic slashed canvases, or tagli, demand meticulous care to preserve their structural integrity and visual impact. Surface dirt, abrasions, or gloss irregularities can subtly alter the artist’s intended aesthetic.

Our expertise ensures that such works remain in optimal condition, safeguarding their value and legacy for future generations.

Whether you’re a collector, gallery, or institution, we offer specialized conservation treatments and collection care for modern and contemporary artworks. Get in touch to discuss how we can support your collection: www.redivivus.nl

#TEFAF2025 #LucioFontana #Contemporary Art #ArtConservation #RedivivusStudio
#FineArtRestoration #ConcettoSpaziale #TEFAF

Jan Steen’s Tavern Scene - TEFAF Maastricht 2025

As part of our contributions to @tefaf Maastricht 2025, Studio Redivivus is pleased to have conserved another remarkable masterpiece-Jan Steen’s Tavern Scene (c. 1700).

This painting is presented by one of the fair’s distinguished dealers, showcasing our ongoing commitment to preserving exceptional works for this prestigious event.

Our team carefully removed modern wooden extensions and false overpainting to reveal the original layers beneath. The thorough process involved the careful removal of surface dirt, followed by varnish and overpaint removal, allowing the true character of the painting to reemerge.

Advanced imaging techniques, including X-ray and Infrared Reflectography, were essential in uncovering the artist’s original intentions and ensuring a precise restoration process.
Structural treatments were conducted to stabilize the canvas, followed by the application of a new varnish and careful retouching of any paint losses. The painting has been restored to a high-level state, with its original composition now revealed in greater clarity.

We are honored to contribute to the preservation of this iconic work, which will soon be displayed to collectors and connoisseurs at TEFAF Maastricht 2025.

Studio Redivivus specializes in the conservation and restoration of fine art collections. If you’re are looking for expert treatment or consultation on collection care, visit us at www.redivivus.nl or reach out to us directly.

#TEFAF2025 #JanSteen #OldMasters #ArtConservation #RedivivusStudio #Restoration
#FineArtMarket #TEFAF

A Rediscovered Masterpiece at @tefaf Maastricht 2025

Redivivus Studio is proud to have completed the conservation, restoration and technical study of the previously unpublished work by Michiel Sweerts, The Virgin at Prayer with Self-Portrait (c. 1650-1652).

This remarkable painting is presented by @salomon_lilian_geneva at TEFAF Maastricht 2025.

When the painting resurfaced at auction in 2023, over 70% of its surface was covered by overpaint and aged varnish. Our conservation treatment has fully restored the composition, revealing Sweerts’ masterful brushwork and the delicate balance of light and color.

This painting is a rare fusion of religious devotion and personal introspection. One of the significant discoveries made during treatment was the fleur-de-lis ornament on the Virgin’s frame, a reference to Sweerts’ connection to the Pamphili family, his most important patrons at the time. This detail, long hidden beneath overpaint, provides new insight into the painting’s historical context and significance.

Advanced technical analysis, including Infrared Reflectography (IRR) and X-radiography, revealed the artist’s paint build up and brushwork. The cross-section analysis confirmed his distinctive use of lapis lazuli in both highlights and shadows-an exceptionally refined technique rarely seen in paintings of this period.

The conservation of this painting has been a process of both restoration and discovery, bringing a lost masterpiece back to its rightful place in art history.

Studio Redivivus specializes in the conservation and restoration of fine art collections. If you’re looking for expert treatment of your artwork or a professional consultation on collection care, visit our website at www.redivivus.n or reach out to us directly.

#TEFAF2025 #RediscoveredMasterpiece #MichielSweerts #ArtConservation #RedivivusStudio #OldMasterPaintings #Restoration #LostArt

Internship Opportunity at Studio Redivivus!

Are you a master’s student in paintings conservation eager to gain hands-on experience in a renowned international conservation studio? Studio Redivivus offers a paid full time internship where you’ll work on a diverse range of artworks-from Old Masters to contemporary pieces-while learning from top professionals in the field.

What You’ll Do
- Assist in conservation treatments for both historical and modern artworks.
- Work with water-sensitive paintings and explore innovative cleaning solutions.
- Collaborate with experienced conservators on large-scale and complex treatments.
- Engage in various studio tasks, gaining a well-rounded understanding of private practice conservation.

What We Offer
- The chance to work in a leading international conservation studio, offering museum-level expertise and services to top collectors, museums, and institutions worldwide.
- A supportive and collaborative work environment.
- Paid internship + local travel reimbursement.
- Possibility of additional Erasmus+/Erasmus for Young Entrepreneurs funding, if eligible.

Who Can Apply?
- Master’s or postgraduate students in paintings conservation.
- Some prior experience working in a conservation studio.
- A cooperative and adaptable team player, willing to engage in all aspects of studio work.
- English proficiency for effective communication within the team.
- Open to international students-but you must be currently enrolled in a program and have valid permission to work in the EU.

How to Apply
If this sounds like the opportunity for you, send the following to info@redivivus.nl
- CV
- Portfolio with examples of previous work
- A short cover letter explaining your experience and motivation to join Redivivus

Check out more details on our website - link in the bio.

We look forward to your application!

#studioredivivus #internship #internshipopportunity #denhaag #internshipconservation #paidinternship

The TEFAF (@tefaf) Vetting Committee

What sets TEFAF Maastricht apart? Its unparalleled vetting process—a benchmark for quality and authenticity in the art world. Each year, TEFAF gathers leading experts, curators, conservators, and scholars to rigorously assess every artwork before it enters the fair.

We are proud that our founder and director, Gwendolyn Boevé-Jones, has been a member of the TEFAF Vetting Committee for 12 years, contributing her expertise in Old Master Paintings: Dutch, Flemish, German, and British schools.

Her role ensures that artworks meet the highest standards, maintaining the fair’s reputation as the most trusted marketplace for collectors, institutions, and dealers worldwide.

#TEFAF #TEFAFMaastricht #VettingCommittee #OldMasters #ArtConservation #RedivivusStudio #ArtExpertise

As TEFAF Maastricht 2025 approaches, we’re reflecting on some of the artworks that have passed through our studio before being exhibited on previous @tefaf editions.

One particularly exciting project was Herri met de Bles’ Garden Paradise with Adam and Eve.

The painting’s glossy varnish and extensive overpainting obscured the original surface. As conservation progressed, technical analysis and careful cleaning led to a remarkable discovery—the artwork was once part of a larger circular composition. Overpaint in all four corners had masked celestial elements: a moon and stars in the lower corners, and a bright sky with birds above. The presence of a distinct circular division line confirmed that the panel had been intentionally cut down at some point in its history.

This discovery strengthens the painting’s connection to a similar panel by Herri met de Bles in the @rijksmuseum, Paradise (c. 1541–1550). Many elements—such as the tower, animals, sea monsters, and mountain landscape—closely resemble those in the @rijksmuseum painting.

By revealing the painting’s true extent and delicately retouching areas of loss, this masterpiece has regained its visual harmony and historical integrity.

Stay tuned as we continue sharing more insights leading up to TEFAF 2025!

#artconservation #studioredivivus #museumquality #rijksmuseum #flemishart #hiddenmasterpieces #herrimetdebles #tefafmaastricht

As we prepare for @tefaf Maastricht 2025, we’re revisiting remarkable artworks that have passed through our studio before being presented by some of the dealers on previous TEFAF editions.

Among them is Michiel Sweerts’ A Young Man Reading (c. 1660).

During conservation, technical imaging and material analysis provided deeper insights into the artist’s techniques. Cross-section analysis revealed a double ground layer—a red earth base beneath a gray-toned layer of lead white and charcoal black—visible in areas of loss.

To preserve the integrity of the artwork, UV fluorescence analysis guided a selective varnish thinning process, ensuring the thin original paint layer remained uncompromised. Retouching was applied minimally, using fine dotting techniques to integrate areas of abrasion while maintaining Sweerts’ style.

Stay tuned as we continue sharing behind-the-scenes insights leading up to TEFAF Maastricht 2025!

#ArtConservation #TEFAF #Studio Redivivus #Sweerts#MichielSweerts

Monthly Case Study: Composition Néo-Plastique 5a by César Domela!

This month, we’re highlighting our recent treatment of a painting by César Domela, a key figure in geometric abstraction. This artwork will soon be part of the exhibition Kandinsky’s Universe: Geometric Abstraction in the 20th Century at @museumbarberini

Condition & Challenges:
The painting was in stable condition but showed raised cracks. Old conservation treatments had become visible, requiring seamless reintegration.

Technical Imaging:
X-radiography and Infrared radiography were carried out to study the artist’s technique, materials, possible changes in composition, degradation phenomena, and damages.

Treatment Overview:
Thorough cleaning of the painting’s surface and reverse side.
Addressing raised cracks and assessing structural stability.
Retouching areas where previous restorations had discolored or disrupted the composition.
Evaluating the possibility of a hidden composition beneath the visible layer through Infrared Reflectography or Multi-Spectral Imaging.

As this artwork prepares for exhibition, its conservation underscores the importance of proactive maintenance.

#CésarDomela #ArtConservation #RedivivusStudio #ArtRestoration #GeometricAbstraction #KandinskysUniverse #museumbarberini #abstract #postdam #kandinskybarberini

Preparations for @tefaf Maastricht 2025 are in full swing!

At Studio Redivivus, we are dedicated to providing and ensuring outstanding quality for the artworks that will be showcased by the esteemed dealers at the fair.

For years, we have proudly supported @tefaf exhibitors. This year, our preparations have been underway for months, and we can’t wait to share the results with you soon.

Stay tuned for more insights from behind the scenes!

#TEFAF2025 #tefafmaastricht #maastricht #PreservingArt #ArtRestoration #ArtConservation #studioredivivus

Introducing Our Monthly Case Study Series!

Starting this month, we’ll be posting a case study each month, giving you an in-depth look at the artworks that arrive at our studio and the treatments they undergo.

Case Study: “Pumpkin” by Yayoi Kusama @yayoikusama_

We had the opportunity to treat a remarkable sculpture by Yayoi Kusama, a renowned figure in contemporary art! Our conservation efforts focused on preserving the artwork’s vibrant aesthetic.

Treatment Overview:
The surface was meticulously cleaned and polished to improve its overall condition.
Stains and discolored spots were carefully removed, and the visibility of surface scratches was reduced.
Significant dust accumulation was addressed.
The pumpkin is painted on the inside, and our restoration work ensured its interior was also preserved.

While the sculpture is in great overall condition, this treatment emphasizes the importance of routine maintenance and proactive care for artworks, particularly those displayed in high-traffic environments like an exhibition.

We are proud to support the preservation of this iconic piece.

#YayoiKusama #yayoiyayoi #ArtConservation #RedivivusStudio #ArtRestoration #CulturalHeritage #ContemporaryArt

Exploring Asger Jorn: A Journey Through Time and Technique

At Redivivus Studio, we have the privilege of treating a wide range of important artworks, including by renowned artists like Asger Jorn.

Some of his works we work on come from the years 1952, 1956, 1964, and 1965. Each showcases very different techniques and presents unique conservation challenges. Jorn’s pieces, with their vibrant energy and layered complexity, reflect the diversity of his artistry and the intricate care required to preserve them.

Asger Jorn, a leading figure of the CoBrA movement, was known for his bold and expressive style. As co-founder of this avant-garde movement blending surrealism and expressionism, Jorn’s innovative approach to color, form, and technique made him one of Scandinavia’s most influential artists. He was renowned for his dynamic use of color, layered compositions, and experimentation with various materials and methods.

Stay tuned for upcoming posts where we will delve deeper into these works, their techniques, and the fascinating process of conserving them!

Discover more about our work on Redivivus Website—link in bio

Order of the photos:
- detail from painting from 1952
- detail from painting from 1956
- detail from painting from 1964, with drying cracks
- detail from painting from 1965

#AsgerJorn #CoBrA #softpaint #ArtConservation #ArtRestoration #ArtResearch #RedivivusStudio

A Spectrum of Possibilities: Pigments at Redivivus

At Redivivus, we work with an extensive palette of over 270 different pigment colors, carefully selected for their quality and versatility in restoration and conservation projects. These pigments, a mix of organic and inorganic varieties, are sourced from trusted suppliers in the Netherlands and Germany, including Kremer @kremerpigmente, Verfmolen ‘De Kat’, and Schmincke @schmincke_official.

While our collection spans the full spectrum of colors, some are more central to our work than others. Titanium White stands out as our most-used pigment, essential for its stability and adaptability. Meanwhile, shades like Cobalt Violette Brilliant find rarer applications but remain part of our toolkit for precise and specialized treatments.

🌐 Discover more about our services on our website — link in bio.

#Pigments #ArtRestoration #StudioRedivivus #BehindTheScenes #kremerpigmenteart #schminckefan

The Value of Art Conservation for Collectors and Investors

Art conservation is a subject that fascinates many, so much so that it was recently highlighted by @nytimes!

Conservation isn’t just for museums—it’s essential for anyone who treasures and invests in art.

At Redivivus, we believe conservation is for everyone. Whether you’re an individual collector, gallery, or auction house, we’re your go-to partner for expert care. Our team, led by Gwendolyn Boevé Jones and supported by conservators with international credentials, is trained at world-renowned universities. We provide tailored treatments for artworks from all periods, whether contemporary masterpieces, Old Masters, or historical pieces with complex materials.

Condition reports are a crucial part of our services, ensuring your collection is ready for future sales, loans, or insurance.

With Redivivus, you can have confidence in expert care that preserves both the aesthetic and financial value of your artworks.

Discover the full article here: https://www.nytimes.com/2024/12/02/arts/design/art-conservator-finding.html

#ArtConservation #RedivivusStudio #ArtCollectors #ArtRestoration #NewYorkTimes

Collaboration sparks inspiration!

As the year comes to a close, we’re reflecting on the incredible partnerships that make our work so meaningful. One such highlight was our collaboration with Gert Van Gerven @gertvangerven from Studio van Gerven, an expert in the structural conservation of panel paintings.

Gert joined us in the studio for several days, sharing his remarkable expertise while implementing a new support system for a wooden panel. It was not only a valuable learning experience but also a joyful experience to work together!

Partnerships like these remind us of the importance of collaboration in preserving art for future generations—a perfect reminder of the power of teamwork as we wrap up the year.

🌐 Learn more about Redivivus’ services—link in bio.

#Collaboration #ArtRestoration #ArtConservation #PanelPainting #studioredivivus

Hydrogels in Art Conservation Workshop

At Redivivus, we believe in staying up to date with the latest advancements in conservation. Recently, members of our team attended the Hydrogels in Conservation Workshop, led by Matt Cushman @artfoodgamesrepeat and hosted by @restauratorennederland at the Collectie Centrum Nederland.

This hands-on workshop introduced innovative techniques using hydrogels for cleaning and restoring artworks. It was a great opportunity to experiment with different gel formulations, learn from experts, and exchange ideas with conservators from other fields.

We’re already incorporating what we learned to provide even better care for the artworks we treat.

Ongoing learning and collaboration help us keep raising the standards of art conservation, and we’re grateful to be part of such an inspiring community.

#HydrogelsInConservation #ArtRestoration #StudioRedivivus #WorkshopInsights #ArtConservation #ConservationTeam #BehindTheScenes

PAN Amsterdam 2024

The highly anticipated @pan_amsterdam was here! From November 24 to December 1, this incredible event brought together exceptional artworks, antiques, and design pieces for collectors and art enthusiasts to admire.

At Redivivus, we were proud to be part of this journey. Over the years, many of the artworks we had the privilege to treat had been showcased at PAN Amsterdam, ready to be admired by collectors and art lovers alike.

The process of preparing these pieces—restoring their beauty and ensuring they were exhibition-ready—was both challenging and incredibly rewarding. Knowing that our work contributed to moments of awe and appreciation filled us with pride.

If you attended PAN Amsterdam this year, we hope you enjoyed the beauty and craftsmanship on display!

🌐 Discover more about our services on our website — link in bio.

#PANAmsterdam #ArtFair #ArtRestoration #StudioRedivivus

The country is awash in hues of gold, ochre, and crimson—nature’s own restoration work on display!

This season, we’re inspired by transformation, much like the projects we undertake at Redivivus. Here’s a glimpse of the exciting work we’ll be sharing soon.

Stay tuned for upcoming posts where we showcase our past and current projects, giving you insight into our craft and dedication.

🌐 Discover more about our services and how we can help you breathe new life into your cherished pieces—link in bio.

#FallColors #ArtRestoration #StudioRedivivus #StayTuned

*Call for Applications*

We are looking for enthusiastic individuals with a passion for early modern paintings and an interest in cleaning solutions for water-sensitive artworks. This role will be based in Den Haag. The position is full time (40 hours per week) for the duration of 3 to 6 months with the possibility to extend up to a year. This opportunity is available starting in September of 2024 onwards, a later starting date can be discussed.
About the Internship:
In this internship you will gain valuable experience while working in a major private conservation studio. The position requires good problem-solving skills and strong practical ability for carrying out painting conservation treatments as part of a team.

Link in bio for more details!
We look forward to your application!

An often overlooked detail in the documentation of textile supports is the characterization and documentation of the original textile characteristics. We have recently started to perform textile analysis of original textile supports to document their materiality. This includes analyzing the support on different levels, starting from structural characteristics such as weave pattern or the number of threads per square centimeter (thread-count analysis).

The next step is to delve deeper with fiber analysis under the fluo/pol microscope. With this method, one examines fiber samples from warp and weft under different types of radiation, such as polarized darkfield and lightfield illumination. Each plant fiber shows characteristic reflections under these illuminations. Fibers that look similar on a macroscopic level can be differentiated by this method.

Understanding and documenting all of these elements can help predict aging characteristics or responses to environmental impacts. Additionally, textile analysis can play an important role when attributing an artwork to a specific artist, studio, region, or time period. Conducting textile analysis systematically by collecting data from a large number of painting supports is helpful, not only for identifying artworks but also for gaining a better understanding of materials in general.

Introducing Our Intern, Saffie!

Saffie is a recent graduate from The Courtauld Institute of Art in London and has spent nine months at Redivivus.

„This hands-on experience at Redivivus has been invaluable for my training. Conservation skills are best learnt through mentorship, and the team’s expertise and support have made all the difference. I feel so much more confident in my practical abilities and decision-making, and it’s been so rewarding to see my training translate into tangible results.“

She has tackled a variety of complex treatments during her internship. Her projects have included cleaning a large contemporary plastic sculpture, and conserving a 16th-century panel transferred onto canvas. She has also carried out in-situ visits to historic collections, and trained in a range of technical imaging techniques including HIROX microscopy and Apollo Infrared imaging.

We have loved having Saffie on our team, and look forward to seeing her continued growth in the field of art conservation. In September she will be starting a fellowship in the USA.

Would you like to apply for an internship at Redivivus?
Check our website for more information, and send an email to info@redivivus.nl with the header „Application Internship“, your CV, portfolio, letter of interest, as well as two recommendation letters.

Today, we would like to honour our conservation science mentor, Jaap J. Boon.

It is with great sadness that we recently learned of Jaap’s sudden passing on the 4th of April. Throughout his internationally renowned career, he profoundly influenced all of our staff members and countless conservation professionals during their studies and professional development.

In recent years, Jaap frequently visited our studio, generously sharing his knowledge and positive energy with us on every occasion. Jaap was a brilliant individual with diverse interests, including jewelry making and painting. He often shared pictures of his adventures in France with us.

He played a significant role in advancing scientific development within Redivivus by training several of our staff members in documenting painting surfaces, techniques for pigment analysis and identification, and the optical identification of degradation products, in particular with the Hirox microscope, using his prototype stand for the examination of artworks. The Hirox came with invaluable teaching sessions on how to get the most information out of the equipment. Jaap also assisted us in setting up our fluorescence and polarization microscope and taught us how to efficiently conduct and interpret XRF measurements.

For the DIVIDI Foundation, Jaap was a key board member who advised on the role of Conservation Science within the foundation.

We are forever grateful for his contributions and presence at the studio, and we will miss him dearly.

After undergoing conservation treatment at Studio Redivivus, this signed painting by Gesina ter Borch recently made its debut at @TEFAF. The piece has been acquired by the @Rijksmuseum and it will join the Museum’s rich collection of other Gesina Ter Borch works. The artwork was discovered by Dickie Zebregs from Zebregs & Röell Fine Art and Antiques @zebregsroell .
From restoration to exhibition to acquisition, every step of this journey has been a testament to the significance of this stunning artwork.
Congratulations to all involved in this remarkable achievement! And a special thank you to the Rijksmuseum for recognising the importance of preserving and celebrating our cultural heritage.
#ArtRestoration #TEFAF #Rijksmuseum #GesinaTerBorch #StudioRedivivus #ArtAcquisition #CulturalHeritage #conservationandrestoration #artnews #artmarket

We’re excited to share that our team at studio Redivivus had the honor of restoring and doing the technical investigation on “Man with the Red Hat,” currently on view at TEFAF Maastricht (till March 14th) with @salomon_lilian_geneva

Through technical imaging, including Infrared Reflectography, cross-section analysis, and X-Radiography, it was made clear that the artwork was originally twice its current size, featuring the portrait of a couple.
Delving deeper into the historical narrative, Jasper Hillegers suggests that the likely subject of the portrait is Count Eitel Friedrich II von Hohenzollern, a prominent figure in South Germany at the time. The portrait could very well have been painted during his engagement or marriage to Magdalena von Brandenburg in 1482.

Check the article on NRC <https://www.nrc.nl/nieuws/2024/03/04/een-wrat-een-hand-en-een-verdwenen-echtgenote-hoe-een-15de-eeuws-schilderij-333-keer-meer-waard-werd-a4191968>

#StudioRedivivus #ArtRestoration #ManWithTheRedHat #TEFAFMaastricht #HistoricalRediscovery #ArtistryRevived

Sometimes paintings accumulate large amounts of dust, grime, and air contaminants such as nicotine. Further, old varnishes tend to yellow or discolor over time. Professionally trained restorers are accustomed to selecting targeted cleaning agents that are compatible with the paint's composition. In this case, both, a discolored layer of varnish as well as a thick layer of accumulated dirt was removed from this landscape by van Dongen.
The difference is impressive! See the vibrant colors in person in the Kees van Dongen exhibition at @singerlaren closing on the 7th of May.

#VanDongen #SingerLaren #artconservation #cleaning #paintingsconservation

Besides professional conservation treatments, another key component of conservation is the adequate handling, storage, display, and transportation of artworks.

We often work with the experienced art handlers from @hizkiavankralingen to make sure the artworks arrive safely to their location. This amazing painting by Kees van Dongen was treated at the studio in the last couple of months. The hanging and transportation needed particular attention, therefore good collaboration and communication with both art handlers and the museum were essential to its exhibition.

Make sure to visit this amazing exhibition in the next couple of weeks at @singerlaren

#vandongen #singerlaren #artconservation

Last year we had the great opportunity of treating various paintings by Kees van Dongen in preparation for the exhibition at the Singer Laren Museum! We took a last picture together with them right before they were packed and transported to the museum by @hizkiavankralingen
This unique opportunity allowed us to compare and document various interesting details from these artworks with our technical imaging equipment.
Swipe to see some nice details from a selection of the paintings we treated.
We hope you enjoy this amazing exhibition until the 7th of May at @singerlarenmuseum

#StudioRedivivus #SingerLaren #KeesvanDongen #paintingsconservation #art #paintings

Gwendolyn Boeve-Jones, Director and founder of @studio_redivivus shares with us her thoughts on conservation.

#artconservation #paintingsconservation #artdealer

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@studio_redivivus

Wolga 16
2491 BJ Den Haag
Nederland

+31 (0)70 514 1023
+31 (0)6 3064 8933
info@redivivus.nl

Available by Appointment:
Mon - Fri 8:30 - 5:30

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Our full Terms and Conditions can be found here.

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